Sunday, September 03, 2017

Weird Western Tales #46 "The Savage Streets"

Weird Western Tales #46 May/June 1978

"The Savage Streets"
Gerry Conway, story - Dick Ayers & George Evans, art - Jose Luis Garcia Lopez, cover

March, 1862. St. Louis, Mo.

We see Scalphunter climbing up the outside of a building, knife wielded between his teeth. Two days have passed since last issue and he has finally made his way back here searching for Bat Lash. Scalphunter makes his way, via rooftop, to the warehouse of Cyrus Calhoun. He overtakes the guards, killing both of them and then breaks into Calhoun's study, demanding to know the location of Bat Lash.

  At knifepoint, Calhoun spills the info that Lash was taking the Gatling Gun and was going to auction it off to the highest bidder. Scalphunter demands Lash's location but Calhoun says that he doesn't know, the army doesn't know, everyone is looking for Bat Lash. He says that lash had stayed at the Grand Hotel earlier and Scalphunter tosses him aside, crashing Calhoun's skull against a nearby safe.

  Scalphunter moves off into the night, making his way through the shadows of the city in search of Bat Lash.

  We find Mr. Lash a lot easier for he is in the Hotel St Louis, in the company of two 'lovely' French ladies. As they are about to kiss, two men kick in the door, shouting and Lash dispatches them quickly with the help of Mr. Colt. Bat goes through the dead men's pockets, finding Confederate money. He steals one last kiss and departs just as the sheriff arrives.

  Under cover of dark, he makes his way down to the riverfront, sneaks into a warehouse and checks on his precious Gatling Gun. He wanted to be sure that General Beauregard Smith, a bidder in the upcoming auction, hadn't made off with the prize weapon while bat was combating the General's hired goons. Lash decides to spend the night with his prize to insure its safety.

  Just down the street at the Hotel Grand, Scalphunter inquires at the front desk of Bat Lash. The clerk insults Scalphunter and tells him to leave, but when Scalphunter grabs him by the collar and pulls him across the counter, the clerk realizes that the Indian is a white man and apologizes. A couple of other men comes up, asking if Scalphunter is a friend of Lash's and attack him. Scalphunter engages in the fight, picking one man up and hurling across the clerks' desk just as the other man gets off a shot that's creases Scalphunter's...well, scalp, knocking him out. The men gather up his limp form and take him to Gen. Beauregard.

  Dawn, and Scalpunter finds himself tied to a post in the company of the General. Smith puts forth a plan wherein Scalphunter will help him obtain the Gatling Gun for the Confederacy. Smith explains that since the Confederacy's cash reserves are frozen in northern banks, he plans to steal the weapon. Smith wants Scalphunter to tell him where the gun and Lash are located.

  Scalphunter says that he doesn't know, Lash is his enemy and if Smith unties him, he will help Smith on one condition...Scalphunter gets to kill Lash afterward. Smith smiles the smile of a man who has instantly struck a bargain.

  About an hour later (less, actually), Smith and some other men meet with Lash in the warehouse. Bat is perched high atop some crates, shotgun in hand, overseeing the auction. The bidding starts with Mr. Samson, representing the USA, ponying up $5,000 (about $122k today). The second man, Cyrus Calhoun, puts forth $7,000 and Gen. Smith raises it to $10,000. Bat inquires as to if that is Federal or Confederate dollars. Smith states that it would be Confederate, of course, and Lash declares his bid invalid.

  Just then Scalphunter jumps down from a skylight, smashing Bat Lash to the floor. Smith pulls a pistol, mounts up onto the wagon containing the Gatling Gun, and bolts out of the warehouse. Scalphunter is left with the unconscious Lash, Calhoun and Samson. He pulls his knife, weighs his options and then runs into the street, stealing a nearby horse.

  Later, twenty miles from St. Louis (probably near present day Maryville, Mo.) Gen. Smith is setting up an ambush for a US patrol. Scalphunter is on a rocky outcropping, overlooking the General, and he pulls his knife, ready to pounce. Suddenly Bat Lash grabs him by the ankle and pulls a pistol. Scalphunter kicks it out of Lash's hand and dives onto Lash. They battle hand to hand and Lash suddenly flips Scalphunter and explains that the General can't kill anyone with that gun because he removed the......

  Scalphunter knocks Lash out and heads to stop Smith. Just then the US patrol shows up and Smith shouts out to them that he is General Smith pf the Confederacy and that they are cowards. The patrol rushes him. Smith starts to crank the handle but it won't move. He is cut down in a hail of Union gunfire as Scalphunter watches.



  Heading back to St. Louis, Lash explains that he did it for the money but he couldn't let anyone get killed by that gun so he pulled the cotter pins from the crank handle so it wouldn't turn. Lash asks Scalphunter what is plans are. Brian states that his sister lives with the whites. He'll find word of her in St. Louis and he will look for her and find her. The two men part ways.

Statistics for this Issue
Men Killed by Scalphunter - Two warehouse guards.
Running Total - 85
Compared to Jonah Hex- Eight appearances in and Scalp has 85 vs Jonah's 39
Scalps Taken - 0
Running Total- 12
Injuries - Gut punched, bullet across the scalp. 
Timeline - Two days prior, one night and the next day. So we have spent four days in March, 1862.

Not a bad book overall. Some twists and turns. I especially enjoy the interaction between Scalphunter and Bat Lash, the savage of morals against the gentlemen of scoundrels. Conway's writing can be a little heavy handed, but that is to be expected when your main character doesn't spend half the book spouting forth exposition.

 Of course, a Lopez cover for me to drool over, never hurts.

Next Issue: The Search for his sister, Pit Fighters, and a Surprise from the Past!


Thursday, March 02, 2017

Jonah Hex V2 #24 "All Hallows Eve"

Jonah Hex V2 #24 Dec. '07
"All Hallows Eve"
Jimmy Palmiotti and Justin Gray - story, David Michael Beck - art and cover

Two men are in full blown knock-down drag-out fight in a bar. One man is knocked out and a local official checks him out and announces the fallen man is dead. In the crowd observing is Jonah Hex and Bat Lash, discussing pugilism, with Bat explaining that only a trained fighter can withstand a beating from another fighter. Hex replies with, "Wanna bet?" and then sheds his shirt, but not his hat nor sidearms, to take on the winner, Bluett Boyd. 

  The fight proceeds and ends up being a two-swing affair, with Boyd missing and Hex connecting resulting in Boyd kissing the floor. A young man runs into the saloon with a telegram for Jonah and he heads out, with Lash tailing behind, uninvited.

Halloween in Hell Town

Three weeks later: Hex and Lash are riding into Coffin Creek under cover of darkness. They ride up to the local brothel and Hex encounters the madam, Crystal Ray Adercrombie. Hex asks why she hasn't asked other gunmen to help her out and Crystal explains that Bill Bradley outta Kansas came and tried to oust this man from Crystal's establishment, with no effect. Hex, Lash, & Crystal head up to room 9 and right before Jonah heads inside to evict this unwelcome guest, Crystal tells him that Bradley, right before leaving town, said that the man in room specifically asked for Jonah Hex.

Hell's Vengeful Assassin

In the room is none other than El Diablo and Jonah demands to know where Lazarus Lane is located. El Diablo unleashes his whip, wrapping it around Jonah's neck, bringing Jonah to his knees. Diablo states that the town is marked for death this All Hallow's Eve. Diablo has been imprisoned in the room so as not to interfere in the town's fate. A prairie witch by the name of Esmeralda Moorland lured Lazarus Lane away from Diablo and unless Lazarus and Diablo are reunited within three hours, Diablo will return to Hell and the entire town will die. 

Beams of unholy fire burst forth from Diablo's eyes, bathing Hex in fire.

Hunting the Supernatural

Hex steps from the room, his eyes glowing with fire and his voice twisted into that of Diablo. Hex tells Lash to follow him and they walk out into the street. We get to see the town through the eyes of Lash, everything looks normal, as well as through Hex's eyes, wherein everyone is a twisted misshapen demon. 

Walking up to the saloon, Hex demands two men produce Lazarus Lane and then he shoots both of them, rendering them both into flaming skeletons. Once inside the saloon, Lash sees Lane bound and gagged, hanging from lantern fixture in the ceiling. Everyone in the saloon, possessed by Esmeralda, is eating the raw remains of a freshly slaughtered bovine that is spread out across the bar. They all mutter the name of Hex. 

The witch commands that they all kill both Hex and Lash and the gunfight ensues. Hex's shots render the townsfolk into flaming skeletons while Lash's bullets produce only normal effects. Lash takes note of the fact and Jonah tosses a sidearm to Bat. The gun, while smoking hot from the fires of hell, only shoots regular bullets while being wielded by someone other than one possessed by Diablo. Jonah unleashes the whip and cuts Lane down, ordering Lash to take him back to the hotel. Bat is quick to comply.

Jonah and Esmeralda fight it out in the bar while Bat Lash tries to make it back across the street, but all hell has broken out  with townsfolk slaughtering each other in the street. Lash finds his way to the brothel barred by two men. He takes them out with a flourish of playing cards and a well placed boot tip and then dives through a window.

Back in the saloon, Hex and the witch continue to battle when suddenly, with a burst of flame, El Diablo appears. Using his fire whip, he entraps the witch and liberates her head from her body. Bat lash enters the saloon saying that the town is returning to normal.

Dawn the next morning finds Jonah and Bat in the company of Crystal and one of her ladies. Bat is recounting the time he saved Jonah. Finally, Jonah announces that he is hitting the hay and the lady goes upstairs with him. At the top of the stairs, Hex and his companion encounter Lazarus Lane, who thanks Jonah for his help. Grabbing Lane by the neck and driving a finger into his chest, Jonah replies with "Yer welcome."

Bat Lash invites Lane to a hand or two of cards, but Lazarus states that he has overstayed his welcome in Coffin Creek and will be leaving soon.

Statistics for This Issue
Men Killed by Jonah - We see 7 killed by Jonah, but there were probably more in the saloon. I'll stick with 7.
Running Total - 653 (432 past, 55 future, 15 Vertigo, 161 V2)
Jonah's Injuries - Possessed by the devil himself.
TimelineThree weeks of travel and a night or two? Let's settle on 22 days and this one takes place after "An Eye for an Eye".
Rape Percentage -  34% (8 out of 23)

  I wasn't a big fan of this one. I really enjoy Bat Lash, especially with Hex, but I have always have (and always WILL) enjoy Jonah outside of the regular DC Universe with all of its supernatural and superheroic trappings. Lazarus Lane is an interesting character when handled by J and J, but Diablo doesn't fit into my vision of Hex's world. And Beck's artwork just doesn't do it for me, something is always slightly 'off', it tries too hard to be photographic. It looks traced, maybe?

Oh well, make of it what you will.

Next Issue: We teeter on the brink of the turn of the century and get a surprise visit from the past.

Friday, February 17, 2017

Jonah Hex V2 #23 "Who Lives and Who Dies"

Jonah Hex V2 #23 Nov. '07
"Who Lives and Who Dies"
Jimmy Palmiotti and Justin Gray - story, Jordi Bernet - art and cover

Another Fine Mess

Our story starts with the sun beating down on Jonah Hex who finds himself chained by the ankle to a large iron eyebolt next to a massive stone in the middle of the desert. The voiceover (aka caption) is a wondrous thing and does not belong to Hex. We quickly learn that it is that of a man, school teacher by trade, sporting only one arm by way of terrible misfortune. He is explaining the value of common sense to his class and launches into the tale that comprises the bulk of our book.

 He explains how he and three companions had been charged, by a Chicago newspaper, with photographing the Apache. They had hired Jonah Hex as their guide, at times fearing him more than the Indians they sought to chronicle. After several weeks, they locate the Apache in a canyon and with Jonah along, the time spent is calm and fruitful.

The chief explains to Jonah that they fear the Kiowa since the Great White Father has moved many tribes into closer proximity to each other. Shortly thereafter, the Kiowa, in fact, do attack and the school teacher scrambles for the safety of higher ground as Hex and the Apache do battle with the Kiowa. Unfortunately, during his escape, the school teacher knocks loose a large rock and both he and the stone tumble to the canyon floor with the massive rock crushing the school teacher's left arm and pinning him to the ground. After the fighting has abated, Jonah comes over to the man, and using his saber, cuts off the teacher's  arm.

Avenging Yellow Bear

The teacher awakens several hours later to darkness, a campfire and Apache standing watch.

Two nights later, Hex and the teacher are talking about phantom pains and the fact that the Kiowa, although beaten back are still fixing to attack again. Hex explains that the Apache chief, Yellow Bear, is dead and that he plans on killing the Kiowa chief himself.

Complications Ensue

With that, Jonah melts away into the darkness, and the teacher relates to us what he eventually learned much later....

The Kiowa themselves are pinned in a canyon with a large group of US soldiers on the ridge above them. They order an Indian with them to inform the Kiowa below that food parcels will be tossed into the canyon and that the Kiowa should surrender peacefully. The parcels are delivered but when they are opened the Kiowa discover bundles of rattlesnakes. While the Kiowa are disoriented, the soldiers open fire on the tribe below. Just then Hex appears and is ordered to halt by one of the soldiers. 

Jonah requests to see the commanding officer and is take to Col. Davidson. Davidson, taking ill note of Jonah's jacket, demands to know why Hex is there. Jonah explains that there is an Indian in the canyon that he has personal business with. Davidson and Hex exchange multi worded insults that result in Davidson pushing Hex backwards into the canyon.

On the canyon floor, Jonah pulls his knife as several Kiowa advance on him. He calls out Chief Iron Heart, stating that he is there to avenge Yellow Bear. Jonah and several Kiowa battle it out as Davidson's men gleefully watch from above. Eventually, one of the soldiers ventures too close to the edge and tumbles in. Jonah accidentally stabs the man in the thigh but does defeat the remaining Kiowa.


Davidson tosses down a rope, retrieving his man and Jonah both. Davidson decides to take revenge on Hex for stabbing one of his soldiers and calls for a leg iron and a spike.

That morning we find Jonah shackled and the spike being driven into the base of a very large stone (taking us back to our opening scene). The Col. states that he has no food to spare but he is not an unfair man, he allows Jonah to keep his knife and a canteen of water. The soldiers then ride off.


Once alone, Jonah breaks off some sagebrush and piles it around the spike. He waits several hours for the sage to dry and then pulls a few matches from his boot. He lights the sage of fire, heating up the spike and then douses the flames in an attempt to crack the iron of the spike. He hacks at the spike with the knife but is unable to free himself. Finally the teacher locates Hex and asks how he can help. Jonah instructs the teacher to urinate on the spike in a further attempt to crack the hot metal.

We flash back to the classroom, with the students begging to know if their instructor rescued the bounty hunter. He assures them that Jonah was indeed freed and he dismisses the school for the day. When his personal reflections resume, we find Davidson is now shackled to the spike and the teacher has his camera tripod at the ready. Jonah has demanded that the teacher take one photo every hour until Davidson either frees himself or expires. 

The teacher refuses and pulls a rifle on Hex, demanding that Davidson be released. Jonah ponders the situation for a moment and then hands the shackle key to the teacher. The teacher unlocks the cuff and Davidson immediately grabs the rifle and kicks the teacher to the ground. Davidson takes aim, but Hex has already cleared leather and has unleashed the bullet that pierces Davidson right between the eyes. Hex then rides off, leaving the teacher with the Col's corpse.

Statistics for the issue
Men Killed by Jonah - We see at least six Kiowa and then Col Davidson, so seven this issue (certainly more, but we go with what we know)
Running Total - 646 (432 past, 55 future, 15 Vertigo, 154 V2)
Jonah's Injuries - Probable dehydration, bruises from the fall
Timeline - A week of travel to the Apache camp, three nights prior to locating the Kiowa and then possibly another day or two to find and shackle Davidson. 12 days. The history of the Apache and the Kiowa relocations took place over several years but this probably falls into place around 1874-76 time frame.
Rape Percentage - 35% (8 out of 23)

 This one makes up for last issue. Bernet's art is gritty, yet full of action. There are small little things like the Apache kids putting a lizard in Jonah's boot that bring a smile to your face. The people have great expressions and each character looks different. 



 I have said before that I enjoy the Hex books that are narrated. Around this time in DC comics, they decided to have the captions all be stream of consciousness but from a character's point of view. They would have a small logo in the corner, as an icon to let you know who was speaking (bat symbol, red S, and so on) Sadly, they used a convention of colored text on differently colored background so at times it was unreadable.

DC could have made a huge mistake with continuing this format in the Hex books, But Palmiotti and Gray wisely took this concept and removed it one step away from the main character. In their books, we never hear Hex's inner thoughts, any exposition is done by an outsider, someone other than Hex himself, and we are treated to dialogue befitting any letters written during the Civil War or any words plucked from a Cohen Brothers movie. Once again, I find myself reading these books aloud, relishing the flow and lilt like the delicate smoke ring on good pulled pork.

Next Issue: Bat Lash, El Diablo, The Wicked Witch and... what else do you need?


Monday, February 06, 2017

Jonah Hex V2 #22 "The Current War"

Jonah Hex V2 #22 Oct. '07
"The Current War"
Jimmy Palmiotti and Justin Gray - story, Phil Noto - art and cover

Well, it's been almost a full year since my last, but we ARE back in the saddle again my friends, and I will do my best to be weekly. We have a lot of ground to cover, so let's jump right into...

The Man of Tomorrow

A bolt of lightning break through the night sky and Jonah is caught in a downpour, followed by a man navigating what looks like a medicine show wagon. They arrive at a large house and Hex is ushered into the presence of a man seated in front of a roaring fire. The man, Mr. Booth, by name, has called for Hex and in an effort to explain WHY he needs a man of Jonah's skills, starts speaking of dime novels.

He covers the brief history of this form of literature, starting with Beadle's Dime Novels and highlighting one published in 1862, The Steam Man of the Prairies and how it impacted his life. Booth then queries Hex if he has heard of Edison and Tesla. Jonah acknowledges having heard of Edison. Booth leads Hex to a large barn on the property and starts speaking, both at length and to the consternation of Jonah, about the upcoming twentieth century and wonders that it will surely hold.

  In the barn, a laboratory and workshop, Booth uncovers and large sheet covered Automata, a robot of sorts. He describes how Nikola Tesla is currently working on devices such as the one standing before them. Booth explains how, a week ago, a worker of his, Albert Fennimore, has stolen the newest model of Booth's robots as well as the blueprints and has undoubtedly whisked them away to Edison.  Jonah doesn't seem very interested in tracking a a tin man, but Booth is persistent, explaining that two men, along with a vary large crate, were seen leaving two days on a train bound northward.

   Jonah postulates that men willing to steal such a machine might be willing to kill in order to keep it and Booth is asking Jonah to murder them in an illegal and unprovoked manner, and as such, Jonah cannot...

  Booth offers $10,000 and states that he is not asking that Edison or his men be harmed, but if such happens, then why should either of them care? Booth states that the train was headed to Denver and Edison is know to have a fortress there.

Fortress of the Future

Under cover of darkness, Jonah comes riding through a mountain pass and eventually arrives in front of a huge stockade fort. Two armed guards inform Jonah that he is to leave but Jonah tells them to announce his arrival and that he was sent by Aubrey Booth. The guards are not swayed and when they tell Jonah to leave, he knocks one down with his horse and leaps upon the other one, holding him a gunpoint when reinforcements arrive. Jonah demands that he be let in so he can determine the accuracy of Booth's claim that his invention was stolen.

The guards take him inside.


Inside, there is a giant Tesla coil (?!?) in the center of the courtyard, lights strung all about, and several large robots being worked on by assistants. Eventually, Hex is escorted into the lab and the presence of Thomas Edison himself. Edison asks of Jonah's business and Jonah lays his cards on the table. Edison, draping his arm around Jonah's shoulder, states that they shall have supper together and sort this entire matter out. Jonah replies that Edison shouldn't be touching him.

Good Old-Fashioned Bullets

At dinner, Edison asks if Jonah has ever seen electric lights before and Hex confesses that he has, in Gotham City. Edison waxes about how, soon, the country will be covered with his electric bulbs, banishing the darkness. Hex asks about Booth's machine.

Edison explains that the Steam-Powered Man was actually and invention of Edison's and Booth, a former employee, is the one that stole it. Edison produces papers indicating that Booth was an employee and worked on the Steam-Powered Man project. Jonah asks how hard it would be to falsify such papers. Edison states that he COULD have done so, but sending Jonah away would have been much easier.

Edison then steers the conversation to the business in which Hex finds himself employed, bounty hunting, and talk of the future and all that it holds. During their conversation there is a huge noise outside and when Edison and Hex investigate they discover the walls have been breached and several masked men are riding inside with torches and causing mayhem.

One of Edison's guards say they could be locals, afraid of the mystery surrounding the labs and the fortress. Hex sees that one of the men has dynamite and shoots the explosive, killing the man. Jonah grabs the man's horse, mounts up, and starts shooting several of the remaining invaders. Edison notices a symbol on the jacket of one of the dead invaders. Jonah explains that Booth had the same symbol on his jacket.

Edison is convinced that Booth sent Hex to find Edison so that Booth's men could come and kill him. He also speaks of Tesla, another of his enemies that want to see him destroyed. Edison tells Jonah that maybe men will eventually stop killing each other with bullets but may utilize guns that shoot electricity and offers Jonah the job of personal body guard and perhaps even to eliminate Tesla. Jonah turns him down, but does demand money for helping save Edison's precious labs.

Surveying the damage that has been done, Edison tells Jonah that the machine age IS coming and soon the skies and streets will be full of machines. Jonah replies that by then they both will be dead, and better off for it.

Statistics for the issue
Men Killed by Jonah - We see three men killed
Running Total - 639 (432 past, 55 future, 15 Vertigo, 147 V2)
Jonah's Injuries - None
Timeline - Not sure WHERE Jonah started or how long it took him to get to the Rocky Mountain near Denver. Let's just call it a week and be done with it. Edison's reference to Tesla and their broken contract of $50,000, puts this one after 1884. Booth's mention of alternating current, pushes this closer to 1890.
Rape Percentage - 36% (8 out of 22)

Wow, what a stinker to return to blogging with. I'm not a fan of Noto's work and his coloring looks like cheap Heroclix figures dipped in walnut varnish. Everything is dark, murky, stiff, muddy. I would be inclined to call it 'meh' but that would entail more work than what Noto put into the colors. If this was someone's introduction to Jonah Hex, I can see them never picking up another book of Jonah's. Yeah, it IS that bad.

Next Issue: Indians, The Army, and someone gets 'schooled'!!


Monday, February 15, 2016

Jonah Hex V2 #21 "Devil's Paw"

Jonah Hex V2 #21 Sept. '07
"Devil's Paw"
Jimmy Palmiotti and Justin Gray - story, Jordi Bernet - art and cover.

No Woman's Land

Red Mesa, territory/state unknown. A stagecoach rolls into town and three women on their way to Plimpton, disembark from the stage and inquire at the saloon as to where they could find dinner. This being a book written by J & J, the women and repeatedly raped in a two page montage.

Next we find ourselves in Plimpton (three days ride from Devil's Paw). Fella by the name of Montana and his gang are in the process of robbing the bank when about ten Pinkerton's get the drop on them and the shootout finds Montana's gang stuck in the bank. Montana jumps out a window, runs towards his horse and grabs up some saddlebags full of dynamite and dashes back into the bank. He then crawls out through an exit on the roof and leads a couple of Pinkerton's to the General Store where he blows them up with dynamite. Finally Montana and his men make a break for it as the bulk of the town catches fire and burns.

The Bounty Hunter Arrives

Jonah Hex is being hired to bring in Montana and his gang. They have robbed fifteen banks in the past few months and Mr. Jones is wanting payback for the death of his men. Jonah assures Jones that he will do his best.

Trail Through Devil's Paw

Montana and his men are crossing the desert, tailed relentlessly by a man who gives them no rest for the past three days (it is, of course, Hex). Montana decides to hole up in a nearby rock formation and set an ambush. The rock formation, the Devil's Paw, looks like a massive hand reaching up out of the earth. As Hex rides closer, we can see several types of writings and pictoglyphs on the walls, placed there by generations of Indians.

Night falls and Montana and his men have built a fire. A couple of the men are getting jumpy but Montana says they shouldn't worry about Indians, they have been moved off to the reservations. As they get ready to bed down, a shadow darts past them and appears by their horses, a lone Indian with a knife and a crazed look in his eye. The men panic and open fire, killing all of their own horses.

Jonah hears the shooting and more commotion. As he closes in on the camp, he comes across one robber, dead and scalped. Jonah moves in closer to where another robber is being scalped alive as Montana tries to take a shot at the Indian. Montana misses and flees, running straight into Hex. Hex and Montana stand there, guns pointed at one another, the Indian silhouetted against the rising moon, bloody scalps in his hand. Montana tells Jonah that Hex has bigger worries and Jonah shoots him dead.

Then, as the Indian looks on, Jonah pulls out his knife and scalps Montana himself and tosses the scalp on the ground. He drags Montana's body out of the rock formation, hoists it across his saddle and heads out.

Smoke Signals to God

Jonah rides into the town of Red Mesa and walks into the saloon. He sees the dead women and stage drivers on the floor. He pours whiskey on one of the men sleeping amongst the carnage, asks if they had fun with the women and then kicks the man's teeth in.

Shortly, the saloon is ablaze with Jonah standing in the street. As the men inside awaken, they run out and Hex guns the first one down. Others, without their guns, have the choice to burn or run. Each of them run for it and each one dies as Jonah picks them off.

The saloon engulfed in fire, Jonah stands in the street and observes....


Statistics for this issue
Men Killed by Jonah - Well, Montana and a bunch of guys at the saloon. Uh.... 10?
Running Total 636 (432 past, 55 future, 15 Vertigo, 144 V2)
Jonah's Injuries - None this time
Timeline - No way to put a date on this one, no reference to anything else. It does cover quite a few days in travel.
Rape Percentage - 38%, up from 35% (8 out of 21)

This one was pretty lame no matter how you cut it. The useless rapes in Red Mesa were nothing but a device for Jonah to gun down a bunch of guys, the Indian living in Devil's Paw served no purpose, and how Montana and his gang got out of Plimpton wasn't really very clear either. This was probably the worst issue of the series so far, but there are worse ones coming, believe me.

Next Issue: Tesla! Edison! Electricity! and the darkest murkiest artwork you ever did see!


Wednesday, February 11, 2015

The Many Phases of Jonah Hex - The Displaced Hex

The sales on Jonah Hex was dropping and in an attempt to save the character, Michael Fleisher ventured into a realm that he himself has confessed that he was uncomfortable with, science fiction.

Jonah was thrown into the world on 2052, years after a worldwide nuclear holocaust, and even though he passed out from information overload in the first issue, Jonah did what he did best. He adapted.

Though the world was new, the carnage and destruction were still pretty much the same. Guns still had triggers, people would still bleed and things would still explode. Some (I, for one) will say that he adapted waaaay to fast, even managing to ride a futuristic motorcycle in the first issue. Jonah showed an incredibly quick knowledge of mechanics that included driving cars, melting robots, taking on an automated shooting gallery, and even using rocket exhaust to destroy a few aliens. But, this is a comic book, we only have about 20 pages to deliver the danger as well as the escape for the hero, and Hex was forced to be a quick learner.

Overall, the book was still pretty much a Western at heart. The evil railroad men became the evil corporations, gold became Soames, the roving Indians and bandits became roving biker gangs and... bandits, the stagecoach became a hovercraft, the pistol was still a pistol (something that tickled me whenever Hex would resort to an old fashioned bullet), and Batman became, sort of a Batman. It goes to show that the basis of a story is, and always will be, about a hero and a villain and what ultimately happened between the two.

As a series, I was hot and cold on the book. It was Jonah Hex and I would be buying it, pretty much no matter what. The beginning art by Texeria was smooth, clean and very cinematic. Very much like the work of Ross on Jonah Hex V2 or the Lopez work on the original run. The stories had a proper amount of melodrama that kept the same pacing as the end of the Jonah Hex run and Fleisher did a good job at introducing new concepts even though the Earth of the future didn't hold together very well when examined with any sort of close eye (New York is still standing while Seattle is a nuclear wasteland?).

I think the whole series started slipping around issue 11, with the future Batman and then we got the Dogs of War and finally the 'artwork' of Keith Giffen but it was able to redeem itself with the very last page of the very last book in one of the all-time moments in comics (and I'm including all of DC, Marvel, as well as everything that Don Rosa ever produced).

It would be a long time before we got another taste of the scar-faced bounty hunter that we could all sit back and savor. Hex, uneven as it was, was still Jonah Hex and for some folks a mediocre Hex series is better than no Hex series at all. 

-------------------------------------------------

All of the above was penned way back in 2011, since then we have seen Jonah once again thrown into the future in All-Star Western 21 via Booster Gold. Jonah encountered a slew of super-folks in addition to Booster. He tangled with a version of Nightwing, Swamp Thing, Constantine, Superman, Bruce Wayne (in non-Batman garb). He ended up in Arkham Asylum in the care of Jeremiah Arkham and eventually kidnaps Arkham, guns down several of the Gotham Mutants from The Dark Knight Returns and hooks up with a curvy young woman named Gina Green.

He stops a rampaging serial killer, digs up a ton of his old hidden gold, attends a Burning Man type festival, encounters soul sucking demons, gets attacked by the Black Mercy (most recently seen on CBS Supergirl episode).

Finally, in a poor turn of judgement, Gina take Jonah to a museum exhibition of Jonah Hex paraphernalia where they both encounter the stuffed remains of old Jonah himself. Jonah storms out of the museum, goes on a drunken binge and ends up wrapping his motorcycle around a semi. Modern medicine being what it is, the doctors think Jonah's facial scarring was a result of the wreck and they completely repair Jonah's face.

Once discharged from the hospital, Jonah encounters Booster Golds again who sends Jonah and Gina back into the old west, where things go from very bad to very worse. All in all, only 8 issues and Jonah's reaction to his corpse does not take into account the end of Hex, leading me to believe that we are dealing with a Jonah from an alternate history, somewhere along here.

There have been a few other incidences of Jonah making reference to his time travel, once in The Once and Future Thing in a Justice League Unlimited episode where several members of the JLA go back to the old west. Jonah comments that he thinks they are time travelers and when quizzed as to why he thinks that, Jonah responds "I've had an interesting life."

This episode is pretty much rehashed in Justice League Unlimited #19 where Jonah once again talks about time travel and mentions that "it's complicated".

So, probably due to the lack of story-telling time, Jonah has shown to be quite adaptable no matter where he is thrown and I am wondering if, in the upcoming Legends of Tomorrow episode, we will get a Jonah that has experienced time-travel or not.

Tuesday, February 03, 2015

That which we all must fight...

  Yes, I know I've been silent for a long time on this blog.

  This is a situation that is not related to comic books but it is a situation regarding something I feel is much broader than what I would normally post on my personal Facebook page.

  I recently commented on a friend's Facebook post regarding anti-vaccination people and the outbreak of measles. My friend, X, was lamenting parents that don't vaccinate their kids and while I agree with him I also, quite honestly, thought I would poke at him a little bit, and pointed out that the current Administration in the White House was recently accused of 'importing' children from south of the border and shipping them all over the country. I pointed out that there are a lot of illegal immigrants in this country and some of them probably don't have vaccinations.

  Here is where things went, um, into an area that I want to bring to folks attention. A friend of X, let's call him Y, has never met me personally and I don't know him except through his comments on X's posts. Anyway, Y called me a racist.

  Yup, he went there. I will try to objectively recreate some of what transpired. Sadly, X deleted the thread because what it snowballed into was (in the words of X) hurtful to myself and another commenter that was making other silly comments against X.

  So, Y said that I was a racist because I brought Latinos into a discussion on a topic that had nothing to do with Latinos. I made mention that I never mentioned a particular race but I was discussing unvaccinated illegal immigrants.

  Well, Y said, since I had used the word 'Imported' everyone knew that I was talking about Latinos.

  Let that sink in for a moment. I had used a code word, a special code word that Y was aware of and this code word is used by racists, such as myself, so that we can talk our racist talk and when someone brave and insightful (again, such as Y) calls us out in our racism, then we can throw up our racist hands and state "I never said 'Latinos'!"

  But, again, Y said that I was racist because I brought race into a discussion that had nothing to do with race. I thought we were talking about unvaccinated people and I pointed out that illegal immigrants, be they from Norway or wherever, also posed a risk. Y informed me that I had no right bringing Latinos into the discussion and that racists will hide behind their racist code words and try to obfuscate a topic in order to secretly display their racism yet not appear racist. He also stated that anyone that "vilified people of color" was obviously a racist.

 X steps in and states that he knows me well, and while I may have an unfounded fear of government I am not a racist. Y told X that he should not try to give me the benefit of the doubt because racists don't deserve it and they need to be exposed for what they are.

  By now I understand that there is no winning with this guy but I thought I would at least TRY to use some logic. I asked if there were any way that I could have asked if other folks, people that aren't vaccinated but are not the middle and upper-middle class crazies that refuse to vaccinate their kids, might contribute to the spread of diseases like measles. Well, Y explained a few things, first of all, no scientists have pointed out that there is any possible connection between Latinos and the spread of measles and it is obvious that I am blinded by the rhetoric that I hear and he is not going to provide any research to me explaining why I am such an obvious racist.

  I will admit, that my head was spinning by this time. I remembered a quote about not rassling with a pig, you get dirty and the pig enjoys it too much. However, I also realized that this kind of circle logic where someone can accuse you of something and no matter what you do or say is nothing more than further proof of their accusation is a dangerous thing and that it needs to be resisted and exposed for what it is.

  It is a blatant attempt to silence people with which Y, and people of his ilk, disagree. By constantly refusing to answer simple questions and turning everything I said into more evidence of racism, including imaginary 'code-words', Y became the judge, jury, censor, and executioner of my speech and my opinions and even my every thought and intention.

  The thread was now to the point were X and others were pointing out how bull-headed and foolish Y had become, but he cut them down as well, for siding with a racist.

  Eventually I offered an olive branch to Y, but he responded as he had before. I did not see his response, X deleted the thread and informed me of the tone of Y's response.

 Personally, this is nothing more than a bunch of false allegations by a person that I don't know and doesn't know me. But I did want it brought to light because I feel that everyone has the unfortunate chance of being attacked by people such as this. People will call you a tree-hugger, Nazi, baby-killer, racist, bigot, dirty hippy, stupid liberal, greedy capitalist, 1%-er, child molester, rapist, femi-nazi, socialist, progressive, neo-con, war-monger, jihadist, jew-hater, or anything else they want to with no evidence that would hold up in a court (outside those based on public opinion or kangaroo tactics) but through their constant barrage they will silence others.

  We must all stand up to this behavior. I'm hesitant to use the word bully, I think coward is much more accurate. We must stand up to these cowards, that talk circles, belittle, accuse, and smear us with words that are meant to mark us, their opponents, forever. Every time we are silent, they win. They will mock us but I feel that the best way to respond is the same way that you would play a fish, give them all the line they need and eventually others, even some on their side, will recognize their ignorance and evil, and turn away from them.

  I've been fairly nice, and referred to this man as Y this whole time. I fear that by allowing him to stay behind this alias, I am aiding him, allowing him to hide. But by referring to him as Y I hope that others might recognize people they know that could be our Mr. Y. In fact, we might even recognize some of Mr. Y in ourselves, and that is where we must first fight this cowardice.